11/30/2023 0 Comments Pachinko title sequence![]() Three of the current nominees – “Foundation,” “Only Murders in the Building” and “Severance” – are capable of winning here and elsewhere, while the rest are only involved in this single race. ![]() So, which series will win the 2022 Emmy for Best Main Title Design? In the past decade alone, the award has more often than not gone to shows that have each taken at least one other prize. One season in, most questions surrounding the show remain unanswered, and that’s a good thing. Mark and the countless Mark clones he interacts with belong squarely in the uncanny valley, as their unnatural movements make one’s skin crawl in the best way possible. As we watch a 3-D animated version of lead character Mark Scout ( Adam Scott) go about (or at least dream of going about) a typical work day, we quickly come to understand that his office job is completely abnormal. This sequence is just as innovative as the show it introduces. “Severance” - Creative Director: Oliver Latta It’s a particularly fun way of setting up this dramatic intergenerational story and it gives viewers the notion that the actors are more than happy to be part of it. Their “Pachinko” design tactfully blends footage of 20th century Korean and Japanese life with video of the show’s cast dancing in a modern-day casino. Tzuo and Wall have collectively been recognized here for eight other shows, and the latter has bagged trophies for “Carnivale” (2004) and “Game of Thrones” (20). “Pachinko” - Creative Directors: Nadia Tzuo and Angus Wall This is Bolan’s fifth nomination in this category and first for a comedy series, following bids for “The Alienist” (2018), “Altered Carbon” (2018), “Conversations with a Killer” (2019) and “Carnival Row” (2020). The fact that virtually no one could possibly pick up on them all without pausing makes it a perfect never-skip intro. As the camera spends 45 seconds panning up and down the front of an animated version of the titular NYC apartment building, viewers can see scads of smartly placed details through the various residents’ windows. Watching this title sequence is like being taken through a pop-up book with endless dimensions. “Only Murders in the Building” - Creative Director: Lisa Bolan ![]() Her strings then break, signaling to viewers that an important journey has begun. Against a plain black backdrop, the wooden Lisey is visited by her husband, and they embrace before he disintegrates into a cloud of loose book pages and leaves her a shovel as her first clue. This set-up is cleverly presented in a title sequence that uses finely-detailed marionettes to represent the Landons. This Stephen King adaptation stars Julianne Moore as the titular Lisey Landon, a widow who sets out on a treasure hunt designed by her deceased husband.
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